Georg Flegel

1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.


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Georg Flegel Vorbereitung zur Mahlzeit oil


Vorbereitung zur Mahlzeit
Painting ID::  80479
Vorbereitung zur Mahlzeit
Medium Oil on canvas Dimensions 44 x 66 cm (17.3 x 26 in) cjr
   
   
     

Georg Flegel Grosses Blumenstuck oil


Grosses Blumenstuck
Painting ID::  80498
Grosses Blumenstuck
Oil on canvas Dimensions 61 x 44 cm (24 x 17.3 in) cyf
   
   
     

Georg Flegel Still life with herring und Bartmann jug oil


Still life with herring und Bartmann jug
Painting ID::  80806
Still life with herring und Bartmann jug
Medium Oil on oak panel Dimensions 25.5 x 32.5 cm (10 x 12.8 in) cjr
   
   
     

Georg Flegel Blumen, Romer und Stieglitz auf Weissbrotwecken in einer Nische oil


Blumen, Romer und Stieglitz auf Weissbrotwecken in einer Nische
Painting ID::  81235
Blumen, Romer und Stieglitz auf Weissbrotwecken in einer Nische
Medium Oil on canvas Dimensions 61 x 44 cm (24 x 17.3 in) cjr
   
   
     

Georg Flegel Stilleben mit Kase und Kirschen oil


Stilleben mit Kase und Kirschen
Painting ID::  81432
Stilleben mit Kase und Kirschen
1635(1635) Medium Oil on oak panel Dimensions 18,4x25cm cyf
   
   
     

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     Georg Flegel
     1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.

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